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ॐ जय जगदीश हरे,स्वामी जय जगदीश हरे ।भक्त जनों के संकट,दास जनों के संकट,क्षण में दूर करे ॥॥ ॐ जय जगदीश हरे..॥
जो ध्यावे फल पावे,दुःख बिनसे मन का,स्वामी दुःख बिनसे मन का ।सुख सम्पति घर आवे,सुख सम्पति घर आवे,कष्ट मिटे तन का ॥॥ ॐ जय जगदीश हरे..॥
मात पिता तुम मेरे,शरण गहूं किसकी,स्वामी शरण गहूं मैं किसकी ।तुम बिन और न दूजा,तुम बिन और न दूजा,आस करूं मैं जिसकी ॥॥ ॐ जय जगदीश हरे..॥
तुम पूरण परमात्मा,तुम अन्तर्यामी,स्वामी तुम अन्तर्यामी ।पारब्रह्म परमेश्वर,पारब्रह्म परमेश्वर,तुम सब के स्वामी ॥॥ ॐ जय जगदीश हरे..॥
तुम करुणा के सागर,तुम पालनकर्ता,स्वामी तुम पालनकर्ता ।मैं मूरख फलकामी,मैं सेवक तुम स्वामी,कृपा करो भर्ता॥॥ ॐ जय जगदीश हरे..॥
तुम हो एक अगोचर,सबके प्राणपति,स्वामी सबके प्राणपति ।किस विधि मिलूं दयामय,किस विधि मिलूं दयामय,तुमको मैं कुमति ॥॥ ॐ जय जगदीश हरे..॥
दीन-बन्धु दुःख-हर्ता,ठाकुर तुम मेरे,स्वामी रक्षक तुम मेरे ।अपने हाथ उठाओ,अपने शरण लगाओ,द्वार पड़ा तेरे ॥॥ ॐ जय जगदीश हरे..॥
विषय-विकार मिटाओ,पाप हरो देवा,स्वमी पाप(कष्ट) हरो देवा ।श्रद्धा भक्ति बढ़ाओ,श्रद्धा भक्ति बढ़ाओ,सन्तन की सेवा ॥
ॐ जय जगदीश हरे,स्वामी जय जगदीश हरे ।भक्त जनों के संकट,दास जनों के संकट,क्षण में दूर करे ॥
Om Jai Jagdish Hare, Swami Jai Jagdish Hare. The troubles of devotees, The troubles of your servants, He removes in an instant. Om Jai Jagdish Hare.. Whoever meditates receives fruit, The sorrow of the mind is destroyed, Swami, the sorrow of the mind is destroyed. Happiness and wealth come home, Happiness and wealth come home, The suffering of the body is removed. Om Jai Jagdish Hare.. You are my mother and father, Whose refuge should I seek, Swami, whose refuge should I seek? Without you, there is no other, Without you, there is no other, Whom I can hope for. Om Jai Jagdish Hare.. You are the complete Supreme Being, You are the indweller, Swami, you are the indweller. Parabrahma Parameshwar (Supreme God), Parabrahma Parameshwar, You are the lord of all. Om Jai Jagdish Hare.. You are the ocean of compassion, You are the sustainer, Swami, you are the sustainer. I am a foolish seeker of fruit, I am a servant, you are the master, Show mercy, O protector. Om Jai Jagdish Hare.. You are the one unseen, The lord of all life, Swami, the lord of all life. By what method can I meet you, merciful one, By what method can I meet you, merciful one, I, who am of poor intellect? Om Jai Jagdish Hare.. Friend of the distressed, remover of sorrow, You are my Thakur (Lord), Swami, you are my protector. Raise your hands, Take me into your refuge, I lie at your door. Om Jai Jagdish Hare.. Remove worldly vices, Take away sins, O God, Swami, take away sins (troubles), O God. Increase faith and devotion, Increase faith and devotion, In the service of saints. Om Jai Jagdish Hare, Swami Jai Jagdish Hare. The troubles of devotees, The troubles of your servants, He removes in an instant. Om Jai Jagdish Hare..
The 'Om Jai Jagdish Hare' aarti is an indispensable inclusion in the Swariti folk song and cultural archive due to its profound historical roots, widespread cultural resonance, and enduring spiritual significance within India and the global Hindu diaspora. Composed by Pandit Shardha Ram Phillauri around 1870, this aarti emerged during a pivotal period of socio-religious awakening in India. Phillauri, a luminary of Hindi and Punjabi literature, crafted a devotional piece that transcended the often complex Sanskrit hymns, making spiritual expression accessible to the common person through its simple yet deeply moving Hindi lyrics. This accessibility was a key factor in its rapid dissemination and integration into the daily lives of millions, solidifying its place as a cornerstone of Hindu devotional practice. The aarti's performance context is as varied as it is ubiquitous. It is a staple in virtually every Hindu household and temple, typically sung during the evening aarti ceremony, where devotees offer lighted lamps to deities. Beyond daily rituals, it graces numerous festivals such as Diwali, Janmashtami, and other significant religious gatherings, uniting communities in collective worship. The act of singing 'Om Jai Jagdish Hare' is often accompanied by the rhythmic clapping of hands and the ringing of bells, creating an immersive and spiritually charged atmosphere. Its performance is not restricted by priestly roles; individuals, families, and large congregations all participate, fostering a powerful sense of communal devotion and shared cultural identity. The thematic depth of 'Om Jai Jagdish Hare' is another compelling reason for its inclusion. The lyrics are a heartfelt plea to Jagdish (Lord of the Universe, a manifestation of Vishnu), expressing profound devotion, surrender, and a yearning for divine protection and guidance. Themes of humility, gratitude, and the seeking of refuge in the divine permeate each stanza, offering solace and inspiration to devotees. The aarti articulates universal human experiences of seeking comfort in a higher power, acknowledging one's limitations, and placing faith in the benevolent nature of the divine. This timeless message resonates across generations, making it a powerful conduit for spiritual reflection and emotional expression. Culturally, 'Om Jai Jagdish Hare' has transcended its purely religious function to become an iconic symbol of Indian spirituality. Its melody and lyrics are instantly recognizable, frequently appearing in Indian cinema, television, and various public events, further cementing its status in popular culture. Its enduring appeal lies in its ability to evoke a sense of tradition, heritage, and spiritual connection. For the Swariti archive, this aarti represents not just a devotional song, but a living tradition that continues to shape and reflect the cultural and spiritual landscape of India. It embodies the essence of Bhakti (devotional) tradition, showcasing how simple yet profound lyrical compositions can become powerful vehicles for faith, community building, and the preservation of cultural heritage.
Historical Background
The 'Om Jai Jagdish Hare' aarti is believed to have been composed by Pandit Shardha Ram Phillauri in the late 19th century, specifically around 1870. Phillauri was a prominent figure from Phillaur, Punjab, known for his contributions to Hindi and Punjabi literature. He is also credited with writing 'Sikhan de Raj di Vithia,' considered one of the first modern novels in Punjabi. The aarti emerged during a period of significant socio-religious reform movements in India. It quickly gained popularity due to its simple language and universal appeal, making it accessible to a wide range of devotees, unlike some more complex Sanskrit hymns. Its composition in Hindi played a crucial role in its widespread adoption, as Hindi was becoming an increasingly important language for religious discourse and literature during that era. The aarti's enduring popularity is a testament to its timeless message and its ability to connect with the spiritual aspirations of the masses.
Cultural Significance
The 'Om Jai Jagdish Hare' aarti holds immense cultural significance in India, serving as a cornerstone of Hindu devotional practices. It is one of the most widely recognized and sung aartis, deeply embedded in the collective consciousness of Hindu communities across the globe. Its simple yet profound lyrics resonate with devotees, offering a sense of peace, solace, and connection to the divine. The aarti's popularity transcends regional and linguistic barriers, making it a unifying prayer sung in homes, temples, and during various religious ceremonies. Beyond its religious context, 'Om Jai Jagdish Hare' has become a cultural icon, often featured in Indian cinema, television shows, and public events, further solidifying its place in popular culture. Its melody and lyrics evoke a sense of tradition and spiritual heritage, symbolizing devotion and faith for millions. The aarti's enduring appeal lies in its ability to articulate universal human sentiments of surrender, gratitude, and a plea for divine intervention, making it a timeless expression of spiritual longing and devotion.
Usage & Performance Context
The 'Om Jai Jagdish Hare' aarti is primarily performed during Hindu worship ceremonies, known as 'aarti,' which involve the waving of lamps before deities. It is a staple in almost all Hindu temples and households, typically sung in the evenings as part of daily prayers. It is also a prominent feature in various festivals and special occasions, including Diwali, Janmashtami, and other religious gatherings. The aarti is sung by individuals, families, and congregations, with devotees often clapping hands and ringing bells in rhythm with the music. While traditionally performed by priests in temples, in homes, it is common for any family member to lead the aarti. Its inclusive nature allows people of all ages and backgrounds to participate, fostering a sense of community and shared devotion.
Who composed 'Om Jai Jagdish Hare'?
The 'Om Jai Jagdish Hare' aarti was composed by Pandit Shardha Ram Phillauri in the late 19th century, around 1870.
What is the meaning of 'Om Jai Jagdish Hare'?
The aarti is a prayer to Jagdish (Vishnu, the Lord of the Universe), praising his attributes as the creator, preserver, and destroyer, and seeking his blessings, protection, and guidance. It expresses devotion and surrender to the divine.
When is 'Om Jai Jagdish Hare' typically sung?
This aarti is commonly sung during daily evening prayers in Hindu homes and temples, as well as during various festivals and special religious ceremonies.
Why is 'Om Jai Jagdish Hare' so popular?
Its popularity stems from its simple, accessible Hindi lyrics, universal themes of devotion and surrender, and its melodious tune, making it easy for a wide range of devotees to understand and participate in.
What is an 'aarti'?
An 'aarti' is a Hindu religious ritual of worship, a part of puja, in which light from wicks soaked in ghee (purified butter) or camphor is offered to one or more deities. Aarti also refers to the songs sung in praise of the deity when the offering is being made.
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