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    Home/Turkey/Istanbul Province/Turkish Folk Music/Folk Song/Love Song

    Üsküdar'a Giderken

    Üsküdar'a Giderken (Kâtibim)|Üsküdar'a Giderken (Kâtibim)|While Going to Üsküdar (My Secretary)

    Also known as: Kâtibim · Uska Dara · A Turkish Love Song

    Anonymous
    August 4, 2026
    Turkish Folk Music
    Share:
    Üsküdar'a Giderken

    Cover image generated by AI · #Greetingify · #SocialBotStudio

    📖 Original Lyrics(Turkish · Latin)

    Üsküdar'a giderken aldı da bir yağmurKâtibimin setresi uzun eteği çamurKâtip uykudan uyanmış gözleri mahmur

    Kâtip benim ben kâtibin el ne karışırKâtibime kolalı da gömlek ne güzel yaraşır

    Üsküdar'a giderken bir mendil buldumMendilimin içine lokum doldurdumKâtibimi ararken yanımda buldum

    Kâtip benim ben kâtibin el ne karışırKâtibime kolalı da gömlek ne güzel yaraşır

    Üsküdar'a giderken bir fıçı pekmezPekmezciye sordum bu kaç para etmezKâtibim pekmez yemez bal da pek sevmez

    Kâtip benim ben kâtibin el ne karışırKâtibime kolalı da gömlek ne güzel yaraşır

    Üsküdar'a giderken bir kuş kondu dalınaKâtibimin sevdası düştü de aklımaKâtibim gel beraber gidelim Haliç'e

    Kâtip benim ben kâtibin el ne karışırKâtibime kolalı da gömlek ne güzel yaraşır

    English Translation

    While going to Üsküdar, it started to rain My secretary's jacket is long, his skirt is muddy The secretary woke up from sleep, his eyes are sleepy My secretary is mine, I am my secretary's, what business is it of others? How beautifully a starched shirt suits my secretary! While going to Üsküdar, I found a handkerchief I filled my handkerchief with Turkish delight While searching for my secretary, I found him beside me My secretary is mine, I am my secretary's, what business is it of others? How beautifully a starched shirt suits my secretary! While going to Üsküdar, a barrel of molasses I asked the molasses seller, how much is this worth? My secretary doesn't eat molasses, nor does he like honey much My secretary is mine, I am my secretary's, what business is it of others? How beautifully a starched shirt suits my secretary! While going to Üsküdar, a bird landed on a branch The love for my secretary came to my mind My secretary, come, let's go to the Golden Horn together My secretary is mine, I am my secretary's, what business is it of others? How beautifully a starched shirt suits my secretary!

    The translation aims to capture the simple, narrative style and affectionate tone of the original. 'Kâtip' (secretary) is used as a term of endearment, and 'skirt' refers to the lower part of a long coat or uniform.

    🧾 Contributor Notes

    The folk song "Üsküdar'a Giderken," affectionately known as "Kâtibim" (My Secretary), is one of Turkey's most iconic and internationally recognized traditional melodies. Its origins are believed to trace back to 19th-century Istanbul, specifically the Üsküdar district on the Asian side of the Bosphorus. The song's popularity soared during the Crimean War (1853-1856), when British and French soldiers stationed in Üsküdar heard it and adapted it, leading to its spread across Europe and beyond. The 'kâtip' (secretary) figure in the song is often interpreted as a young man, possibly a government clerk or a military officer, and the lyrics express a playful, affectionate, and somewhat teasing admiration from the perspective of a young woman. The song paints a vivid picture of daily life and romantic longing in Ottoman-era Istanbul, capturing the charm of a bygone era. Culturally, "Üsküdar'a Giderken" holds immense significance as a symbol of Turkish heritage and Istanbul's rich history. It is a staple at family gatherings, cultural festivals, and traditional celebrations across Turkey. Its simple, memorable melody and relatable lyrics about everyday observations and budding affection have ensured its enduring appeal. While not tied to specific religious rituals, its performance often evokes a sense of nostalgia and national pride, serving as a cultural touchstone. It's a song that transcends generations, often taught to children and enjoyed by adults, embodying a collective memory of Turkish identity. Performance-wise, "Üsküdar'a Giderken" is typically sung in a lively, rhythmic style, often by soloists or small groups, with a strong emphasis on storytelling through the lyrics. It is commonly accompanied by traditional Turkish instruments such as the bağlama (a long-necked lute), darbuka (goblet drum), kemençe (a bowed string instrument), and sometimes modern instruments like guitar or accordion. The song's tempo is usually moderate, allowing for clear articulation of the verses and the catchy chorus. It is also a popular choice for Turkish folk dance performances, where its rhythm provides a perfect backdrop for traditional steps and movements, further enhancing its communal and celebratory nature. Today, "Üsküdar'a Giderken" continues to be a beloved piece of Turkish cultural patrimony. Its global recognition, partly due to covers by international artists like Eartha Kitt (as "Uska Dara"), has solidified its place in world music. The song serves as a vital link to Turkey's past, preserving linguistic nuances and social customs from the Ottoman period. Its continued performance and adaptation by contemporary artists ensure that this charming narrative of love and life in Üsküdar remains vibrant and accessible, fostering cultural understanding and appreciation both within Turkey and internationally. It stands as a testament to the power of folk music to transcend time and borders.

    Historical Background

    Originating in 19th-century Istanbul, the song gained widespread popularity during the Crimean War (1853-1856) among Ottoman, British, and French soldiers. It reflects the social and cultural atmosphere of the Ottoman Empire's later period, particularly in the bustling district of Üsküdar.

    Cultural Significance

    An iconic symbol of Turkish folk music and Istanbul's historical identity. It is a cornerstone of Turkish cultural education and a source of national pride. Its simple narrative and catchy melody have made it universally appealing, bridging Turkish culture with global audiences.

    Usage & Performance Context

    Performed at cultural festivals, family gatherings, celebrations, and as a popular folk song for general entertainment. Often sung by individuals or groups, sometimes accompanied by folk dances. It is a common song in Turkish schools and cultural events.

    Frequently Asked Questions

    What is the meaning of 'Üsküdar'a Giderken (Kâtibim)'?

    The title translates to 'While Going to Üsküdar (My Secretary)'. The song is a narrative from a young woman's perspective, observing and expressing affection for a 'kâtip' (secretary or clerk) in Üsküdar, a district of Istanbul.

    What is the historical origin of 'Üsküdar'a Giderken'?

    The song is believed to have originated in 19th-century Istanbul. Its popularity significantly increased during the Crimean War (1853-1856) when it was adopted and spread by foreign soldiers stationed in the Üsküdar area.

    Is 'Üsküdar'a Giderken' a public domain song?

    Yes, 'Üsküdar'a Giderken' is widely considered to be in the public domain. It is a traditional folk song with an unknown original composer, dating back well over a century, thus falling outside modern copyright protections.

    What instruments are typically used to perform 'Kâtibim'?

    Traditional Turkish instruments such as the bağlama (lute), darbuka (goblet drum), and kemençe (bowed string instrument) are commonly used. Modern adaptations may also feature guitars, accordions, or other contemporary instruments.

    Has 'Üsküdar'a Giderken' been covered by international artists?

    Yes, one of the most famous international covers is by American singer Eartha Kitt, who recorded it as 'Uska Dara' in 1953, further popularizing the song globally.

    Details

    Region

    Turkey

    Language

    Turkish (Latin)

    Themes

    Love
    Longing
    Daily Life
    Istanbul
    Affection
    Observation
    Nostalgia
    Romance
    Turkish Culture
    A

    Contributor

    Anonymous

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