Pasayadan
पसायदान|Pasayadan|A Boon of Grace / Prayer for the Universe
Also known as: Pasaayadaan · Dnyaneshwari Pasayadan
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आतां विश्वात्मके देवे ।येणे वाग्यज्ञे तोषावे ।तोषोनि मज द्यावे ।पसायदान हे ॥१॥
जे खळांची व्यंकटी सांडो ।तया सत्कर्मी रती वाढो ।भूतां परस्परे पडो ।मैत्र जीवांचे ॥२॥
दुरितांचे तिमिर जावो ।विश्व स्वधर्म सूर्ये पाहो ।जो जे वांछील तो ते लाहो । प्राणिजात ॥३॥
वर्षत सकळ मंगळी ।ईश्वरनिष्ठांची मांदियाळी ।अनवरत भूमंडळी ।भेटतु भूतां ॥४॥
चला कल्पतरूंचे आरव ।चेतना चिंतामणींचे गाव ।बोलते जे अर्णव । पीयूषाचे ॥५॥
चंद्रमे जे अलांछन ।मार्तंड जे तापहीन ।ते सर्वांही सदा सज्जन ।सोयरे होतु ॥६॥
किंबहुना सर्व सुखी ।पूर्णत्वी पावोनि तिन्ही लोकी ।भजजो आदिपुरुखी । अखंडित ॥७॥
आणि ग्रंथोपजीविये ।विशेषीं लोकीं इये ।दृष्टादृष्ट विजयें ।होआवे जी ॥८॥
येथ म्हणे श्री विश्वेशरावो ।हा होईल दान पसावो ।येणे वरें ज्ञानदेवो ।सुखिया झाला ॥९॥
आतां विश्वात्मके देवे । येणे वाग्यज्ञे तोषावे । तोषोनि मज द्यावे । पसायदान हे ॥१॥ जे खळांची व्यंकटी सांडो । तया सत्कर्मी रती वाढो । भूतां परस्परे पडो । मैत्र जीवांचे ॥२॥ दुरितांचे तिमिर जावो । विश्व स्वधर्म सूर्ये पाहो । जो जे वांछील तो ते लाहो । प्राणिजात ॥३॥ वर्षत सकळ मंगळी । ईश्वरनिष्ठांची मांदियाळी । अनवरत भूमंडळी । भेटतु भूतां ॥४॥ चला कल्पतरूंचे आरव । चेतना चिंतामणींचे गाव । बोलते जे अर्णव । पीयूषाचे ॥५॥ चंद्रमे जे अलांछन । मार्तंड जे तापहीन । ते सर्वांही सदा सज्जन । सोयरे होतु ॥६॥ किंबहुना सर्व सुखी । पूर्णत्वी पावोनि तिन्ही लोकी । भजजो आदिपुरुखी । अखंडित ॥७॥ आणि ग्रंथोपजीविये । विशेषीं लोकीं इये । दृष्टादृष्ट विजयें । होआवे जी ॥८॥ येथ म्हणे श्री विश्वेशरावो । हा होईल दान पसावो । येणे वरें ज्ञानदेवो । सुखिया झाला ॥९॥
Now, may the Lord of the Universe be pleased with this sacrifice of words, And being pleased, may He grant me this Boon of Grace (Pasayadan). May the crookedness of the wicked cease, and may their love for good deeds grow. May all beings develop friendship among themselves. May the darkness of evil disappear, and may the universe behold the sun of self-dharma. May every living being attain whatever it desires. May showers of auspiciousness fall, and may the assembly of devotees of God Continuously meet all beings on Earth. May they be like moving wish-fulfilling trees (Kalpataru), like villages of wish-fulfilling gems (Chintamani), And like talking oceans of nectar (Piyusha). May they be like the blemishless moon, and like the sun without scorching heat. May all such good people always be kinsmen to everyone. In short, may all be happy, and attaining completeness in all three worlds, May they worship the Primeval Being (Adi Purusha) incessantly. And those who live by this scripture (Dnyaneshwari), Especially in this world, May they achieve victory, both visible and invisible. Here, Shri Vishweshwara (Lord Shiva, or the Universal Lord) says, “This boon shall be granted.” With this blessing, Dnyandev became happy.
The translation aims to convey the profound philosophical and spiritual depth of the original Marathi Ovi verses, preserving the prayer's universal message of peace, harmony, and well-being for all creation.
Pasayadan, meaning "A Boon of Grace" or "A Prayer for the Universe," is the concluding prayer of Dnyaneshwari, a monumental commentary on the Bhagavad Gita written by the 13th-century Marathi saint and philosopher, Sant Dnyaneshwar. Composed around 1290 CE, this profound prayer encapsulates the essence of the Warkari Bhakti tradition, which emphasizes devotion, humility, and universal love. Sant Dnyaneshwar, a pivotal figure in Marathi literature and spirituality, penned the Dnyaneshwari in the Ovi meter, making complex philosophical concepts accessible to the common people in their vernacular. The Pasayadan, therefore, stands as a testament to his vision of a harmonious world. Culturally, Pasayadan holds immense significance in Maharashtra and among Marathi-speaking communities worldwide. It is not merely a prayer but a philosophical statement, often recited at the culmination of religious discourses, spiritual gatherings, and cultural events. Its recitation signifies the completion of a virtuous act and an offering of its merits for the welfare of all beings. While not associated with specific festivals in the same way a kirtan might be, its themes resonate deeply during major Warkari pilgrimages like the Ashadhi and Kartiki Ekadashi, where devotees walk to Pandharpur, embodying the spirit of communal harmony and devotion that Pasayadan champions. Unlike many Bhakti compositions that are sung with specific ragas and talas, Pasayadan is primarily recited or chanted. It is a contemplative prayer, often delivered with solemnity and reverence. Individuals recite it in their daily spiritual practice, and it is a common feature in homes and temples across Maharashtra. There are no specific instruments associated with its performance; its power lies in the profound meaning of its words and the sincere intention of the reciter. It is a communal prayer, often recited in unison, reinforcing the collective aspiration for universal peace and well-being. Pasayadan's message of seeking good for all, transcending narrow self-interest, remains profoundly relevant in contemporary times. It serves as a constant reminder of the interconnectedness of all life and the importance of compassion, tolerance, and spiritual growth. Its inclusion in heritage archives like Swariti is crucial for preserving this timeless piece of Marathi literary and spiritual heritage, ensuring that its universal message continues to inspire future generations. It stands as a beacon of peace, advocating for a world free from malice and filled with mutual respect and understanding, thereby contributing significantly to global cultural and spiritual discourse.
Historical Background
Composed by Sant Dnyaneshwar in the late 13th century (circa 1290 CE) as the concluding part of his seminal work, Dnyaneshwari, a commentary on the Bhagavad Gita. It emerged during the flourishing Bhakti movement in Maharashtra, which sought to make spiritual wisdom accessible to the common people through vernacular languages.
Cultural Significance
Pasayadan is a cornerstone of Marathi spiritual and literary heritage, embodying the core philosophy of the Warkari tradition. Its message of universal love, peace, and well-being has profoundly influenced Maharashtrian culture, serving as a timeless prayer for global harmony and individual spiritual growth. It is revered as a symbol of compassion and enlightened thought.
Usage & Performance Context
Recited as a concluding prayer at the end of religious discourses, spiritual gatherings, Dnyaneshwari recitations, and cultural events. It is also used in daily individual and communal spiritual practice, particularly within the Warkari tradition.
पसायदान, जिसका अर्थ 'कृपा का वरदान' या 'ब्रह्मांड के लिए प्रार्थना' है, 13वीं शताब्दी के मराठी संत और दार्शनिक, संत ज्ञानेश्वर द्वारा लिखित भगवद गीता पर एक स्मारकीय टीका, ज्ञानेश्वरी की अंतिम प्रार्थना है। लगभग 1290 ईस्वी में रचित, यह गहन प्रार्थना वारकरी भक्ति परंपरा के सार को समाहित करती है, जो भक्ति, विनम्रता और सार्वभौमिक प्रेम पर जोर देती है। संत ज्ञानेश्वर, मराठी साहित्य और आध्यात्मिकता में एक महत्वपूर्ण व्यक्ति थे, जिन्होंने ओवी छंद में ज्ञानेश्वरी की रचना की, जिससे जटिल दार्शनिक अवधारणाएं आम लोगों के लिए उनकी स्थानीय भाषा में सुलभ हो गईं। इसलिए, पसायदान एक सामंजस्यपूर्ण दुनिया की उनकी दृष्टि का प्रमाण है। सांस्कृतिक रूप से, पसायदान का महाराष्ट्र और दुनिया भर के मराठी भाषी समुदायों में अत्यधिक महत्व है। यह केवल एक प्रार्थना नहीं है, बल्कि एक दार्शनिक कथन है, जिसे अक्सर धार्मिक प्रवचनों, आध्यात्मिक सभाओं और सांस्कृतिक कार्यक्रमों के समापन पर पढ़ा जाता है। इसका पाठ एक पुण्य कार्य की पूर्णता और सभी प्राणियों के कल्याण के लिए इसके गुणों का अर्पण दर्शाता है। जबकि यह किसी विशिष्ट त्योहारों से उस तरह से जुड़ा नहीं है जैसे कोई कीर्तन हो सकता है, इसके विषय आषाढ़ी और कार्तिकी एकादशी जैसी प्रमुख वारकरी तीर्थयात्राओं के दौरान गहराई से गूंजते हैं, जहाँ भक्त पंढरपुर की यात्रा करते हैं, पसायदान द्वारा समर्थित सांप्रदायिक सद्भाव और भक्ति की भावना को मूर्त रूप देते हैं। कई भक्ति रचनाओं के विपरीत, जिन्हें विशिष्ट रागों और तालों के साथ गाया जाता है, पसायदान मुख्य रूप से पढ़ा या जप किया जाता है। यह एक चिंतनशील प्रार्थना है, जिसे अक्सर गंभीरता और श्रद्धा के साथ प्रस्तुत किया जाता है। व्यक्ति इसे अपनी दैनिक आध्यात्मिक साधना में पढ़ते हैं, और यह महाराष्ट्र भर के घरों और मंदिरों में एक सामान्य विशेषता है। इसके प्रदर्शन से जुड़े कोई विशिष्ट वाद्य यंत्र नहीं हैं; इसकी शक्ति इसके शब्दों के गहन अर्थ और पाठक के ईमानदार इरादे में निहित है। यह एक सांप्रदायिक प्रार्थना है, जिसे अक्सर एक साथ पढ़ा जाता है, जो सार्वभौमिक शांति और कल्याण के लिए सामूहिक आकांक्षा को पुष्ट करती है। पसायदान का सभी के लिए भलाई चाहने का संदेश, संकीर्ण स्वार्थ से परे, समकालीन समय में भी गहरा प्रासंगिक बना हुआ है। यह सभी जीवन के अंतर्संबंध और करुणा, सहिष्णुता और आध्यात्मिक विकास के महत्व की निरंतर याद दिलाता है। स्वाति जैसे विरासत अभिलेखागार में इसका समावेश मराठी साहित्यिक और आध्यात्मिक विरासत के इस कालातीत टुकड़े को संरक्षित करने के लिए महत्वपूर्ण है, यह सुनिश्चित करते हुए कि इसका सार्वभौमिक संदेश भविष्य की पीढ़ियों को प्रेरित करता रहे। यह शांति का प्रतीक है, द्वेष से मुक्त और आपसी सम्मान और समझ से भरे विश्व की वकालत करता है, जिससे वैश्विक सांस्कृतिक और आध्यात्मिक विमर्श में महत्वपूर्ण योगदान मिलता है।
What is Pasayadan?
Pasayadan is a revered Marathi prayer composed by the 13th-century saint Sant Dnyaneshwar. It serves as the concluding part of his monumental work, Dnyaneshwari, a commentary on the Bhagavad Gita. The prayer, meaning 'A Boon of Grace,' is an invocation for universal peace, harmony, and the well-being of all living beings.
Who composed Pasayadan and when?
Pasayadan was composed by Sant Dnyaneshwar (also known as Sant Jnaneshwar) in the late 13th century, specifically around 1290 CE. He was a pivotal figure in the Bhakti movement of Maharashtra and a proponent of the Warkari Sampradaya.
What is the significance of Pasayadan in Marathi culture?
Pasayadan holds immense cultural and spiritual significance in Maharashtra. It is considered a cornerstone of Marathi literature and the Warkari tradition, embodying a message of universal love, compassion, and spiritual enlightenment. It is often recited at the culmination of religious and cultural events, symbolizing an offering of merits for collective welfare.
How is Pasayadan typically used or recited?
Pasayadan is primarily recited or chanted, rather than sung with specific musical instruments. It is commonly recited individually as part of daily spiritual practice, and communally at the end of religious discourses, Dnyaneshwari recitations, and spiritual gatherings in homes and temples across Maharashtra.
What are the main themes of Pasayadan?
The main themes of Pasayadan include universal well-being, peace, harmony among all beings, the cessation of evil, the growth of good deeds, the fulfillment of desires for all creatures, the continuous meeting of devotees with all beings, and the ultimate worship of the Primeval Being for eternal happiness.
Region
Language
Marathi (Devanagari)
Themes
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Anonymous
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